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<<< / West of Center: Art and the Counterculture Experiment in America, 1965-1977
September 29, 2012 - January 6, 2013
West of Center: Art and the Counterculture Experiment in America, 1965-1977

In the heady and hallucinogenic days of the 1960s and ’70s, a diverse range of artists and creative individuals based in the American West—from the Pacific coast to the Rocky Mountains and the Southwest—broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. The exhibition West of Center illuminates the unique works of these individuals through videos, photographs, drawings, ephemera and other original and re-created objects and environments. The countercultural movement has typically been associated with psychedelic art, but West of Center presents psychedelia as only one dimension of the larger, artistically-oriented, socially-based phenomenon. The wider integration of art practices, political action and collaborative life activities is foundational throughout contemporary art and culture.



On view at Scottsdale Museum of Contemporary Art. Organized by the Museum of Contemporary Art Denver. The exhibition is supported, in part, with funds provided by the Western States Arts Federation (WESTAF) and the National Endowment for the Arts. Sponsored locally by the Walter and Karla Goldschmidt Foundation. 

 

Co-curated by Elissa Auther and Adam Lerner. The exhibition is accompanied by a catalogue, featuring nineteen authors, published by the University of Minnesota Press.



Richard Kallweit, documentary photograph of The Ultimate Painting (a collaborative work between Clark Richert, Richard Kallweit, JoAnn Bernofsky, Gene Arnofsky and Charles DiJulio), 1966. Reprinted 2011. Digital inkjet print, 5 x 7 inches. Courtesy of the artist. © The artists
Robin Arvid Anderson, Johnny, 1972. Digital inkjet print, 18 x 27 inches. Courtesy of the artist. © Robin Arvid Anderson

Installation view of West of Center: Art and the Counterculture Experiment in America, Drop Architecture: Drop City and Beyond, Natasha's Gallery, MCA Denver, 2011. Photo by Ron Pollard.

Geodesic lattice includes photographs by Caroling Geary, Chip Lord, Clark Richert, Gene Bernofsky, Jack Fulton, Richard Kallweit and Roberta Price.

Installation view of West of Center: Art and the Counterculture Experiment in America, Expanded Cinema I: The Single Wing Turquoise Bird, Laura and David Merage Foundation Gallery, MCA Denver, 2011. Photo by Ron Pollard.

 

Featuring the following work:

Single Wing Turquoise Bird, Invisible Writing, 2011. High definition recording of live mixed media performance, 47 min. © and courtesy of the artists.

 

Slides by Larry Janss, Jeff Perkins and Mike Pfau; films by David Lebrun and Peter Mays; liquids and transparencies by Amy Halpern, Shayne Hood and Michael Scroggins; and music by Miroslav Tadic

Installation view of West of Center: Art and the Counterculture Experiment in America, Social Encounters: The Dance of Anna Halprin, Joseph Crescenti Family Gallery, MCA Denver, 2011. Photo by Ron Pollard.

 

Installation view of: Anna Halprin, Citydance Performance Score, 1978. Ink and marker on paper, 195 x 38 inches. © and courtesy of Anna Halprin.

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